ALONGTIMEALONE. bofransson: “ At the Café Raoul Dufy - ”. Raoul Dufy - Werke, Preise, Biografie - Erfahren Sie alles über Raoul Dufy & Verkaufen oder Kaufen Sie Werke des Künstlers in unserem Kunsthaus. Raoul Dufy (French: [ʁtsukiji-suisan.com tsukiji-suisan.com]; 3 June – 23 March ) was a French Fauvist painter, brother of Jean Dufy. He developed a colorful, decorative style.
Dufy, RaoulFinden Sie Kunstwerke und Informationen zu Raoul Dufy (französisch, ) auf artnet. Erfahren Sie mehr zu Kunstwerken in Galerien, Auktionslosen. Raoul Dufy - Werke kaufen und verkaufen. 3. Juni , Le Havre (Frankreich) - März , Forcalquier (Frankreich). Künstler: Raoul Dufy - alle Kunstwerke des Künstlers als Kunstdrucke, Leinwandbilder oder als Ölgemälde.
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He was accused of levity, saying, that in vain wasting talent. Dufy actually avoided by an image of the evils of society and flirting with the world and abyss of existential despair.
He said: "If the holidays are so popular with people, why can't they like, to a sketch artist? Elegant carelessness and joy of life - that's what wanted to write Dufy.
Regattas and horse racing, thoroughbred horses and no less pedigreed gentlemen, elegant ladies and life as a holiday — such is the style of Raoul Dufy.
Galleria d'Arte Moderna Farsetti, Prato. Private collection, Italy, by whom acquired from the above, and thence by descent to the present owners.
Brought to you by. Ishbel Gray Auction Administrator. During his later years as an artist, Dufy traveled both abroad and within France, painting views of the Mediterranean city of Nice , as well as scenes of horse races and regattas.
Throughout the s, Dufy worked with a variety of materials, producing ceramics, tapestry hangings, and large-scale architectural decorations.
He painted this monumental piece in for the Paris International Exhibition. This amazing painting consists of panels x cm that cover square meters.
Today you can visit this beautiful masterpiece at the Museum of Modern Art in Paris. He began to have some success, but the new style he took up from to about temporarily diminished this.
During this period Dufy and his friend Albert Marquet worked together using similar styles, at Fecamp, Trouville and Le Havre. Rue Pavoisee Street with Flags and Affiches a Trouville Posters at Trouville , Musee National d'Art Moderne, Paris and Trois Ombrelles Three Sunshades , Houston, private collection are, as far as touch, colour and subject matter go, Fauve paintings, but with a sensitivity that is still Impressionist.
Dufy himself said that his own evolution towards a new sort of painting began in , when he discovered Luxe, Calme et Volupte by Matisse , at the Autumn Salon: "Impressionist realism lost its charm for me, in the contemplation of the miracle of the imagination translated into design and colour.
In any event, Dufy exhibited with Les Fauves in and The great Cezanne retrospective in and a visit to L'Estaque the following year with Braque reinforced in Dufy the need for structure although this did not take him as far as Cubism Trees at L'Estaque , , Musee National d'Art Moderne, Paris.
The vividness of colour, allied with a clear graphic line, in La Dame en Rose The Woman in Pink , Musee National d'Art Moderne, Paris is reminiscent of Van Gogh , and even German Expressionism , which Dufy came to know properly the following year when he visited Munich with Friesz.
Around Dufy's art took on a new lightness, became filled with grace and humour, and displayed considerable decorative charm in the treatment of paint and outlines Le Bois de Boulogne , , Nice Museum; The Deserted Garden , , Musee National d'Art Moderne, Paris.
After illustrating with wood-engravings several books by friends who were poets Bestiaire d'Orphee by Apollinaire, , Dufy became interested in decorative art; with the help of the couturier Paul Poiret he started designing textiles and from to designed fabrics for the firm of Bianchini-Ferier.
He left school at the age of fourteen to work in a coffee-importing company. The classes were taught by Charles Lhuillier, who had been, forty years earlier, a student of the French portrait-painter, Ingres.
During this period, Dufy painted mostly Norman landscapes in watercolors. He was there when Georges Braque also was studying.